Game 241: Mr. Do's Castle

Even though almost every Universal game is derivative, I have to give them credit for not just making the same game again and again, tempting as it must have been once they hit gold with Mr. Do! Cosmic Avenger took after Konami's Scramble, Lady Bug after Pac-Man, Mr. Do! after Dig Dug, and Mr. Do's Castle, their first true sequel, takes after... their own Space Panic?

Space Panic, even though it's one of Universal's few original designs, and considered by some to be the first arcade platformer ever, was a pretty miserable experience, with unreliable controls, inconsistent gameplay mechanics, and excessively random enemy AI in a gameplay loop that depends on you being able to manipulate their behavior. Mr. Do's Castle has all of these problems too, and yet, it improves just enough to be a pretty fun experience, if a sometimes frustrating one.

 

Mr. Do's apparently gotten himself a sweet castle, and finds himself invaded by unicorns out for his blood. Sometimes a clown just can't catch a break.

Trading his superball for a hammer, Mr. Do can't reliably kill unicorns with it directly. You can try - sometimes it works, most of the time it just knocks them back, but there's a pretty good chance that you'll miss entirely and get killed. The simplest way is to smash the floor out so it falls and crushes the unicorns below, but for that to work you'll need a good lead on them and also puzzle out a way to position yourself so that their pathfinding makes them walk underneath you.

Perfect, the red unicorn must walk under the cherry block to reach the ladder.

Not so great, the unicorns will just climb the ladder on the right to get you.

The unicorns can also be slowed down by breaking the floor behind you so that they fall in, buying you a bit of time before they wiggle out and continue their pursuit. You can even whack them over the head, making them fall down a level, but I rarely found this technique useful; it makes them angry and faster, and leaves a hole in the floor of your castle, which ultimately impedes your traversal more than it impedes the unicorns'.

This technique is where Mr. Do's Castle feels closest to Space Panic, but where in Space Panic this was difficult but necessary to pull off, here it's easy but not often very useful. A stuck unicorn blocks your movement, but not other unicorns, so it won't do much to get a conga line off your tail, nor does it often trap individuals long enough to kill them.

A more useful technique is to employ skull trap bridges. There are several methods of triggering them, but the most basic is to drop a skull on one side while being pursued, keep crossing the bridge, drop a cherry block behind you, and then drop the other skull block while a unicorn is stuck in the hole you just created. Preferably while another unicorn or two is stepping on its face.

This collapses the bridge, sending any unicorn in the gap you made crashing down with it. Occasionally other unicorns standing on falling cherry blocks get crushed too, but it's unreliable. This, for some reason, leaves a perfectly usable bridge behind, so you'll want to make sure you have an escape plan before doing this. All too often you can find yourself stuck between two survivors on both sides of the bridge and with no way out.

The diagonal ladders can be pushed from the top to change their orientation, effectively reconfiguring the maze and making the unicorns alter their paths. This is often crucial to setting up an effective trap. It reminds me a lot of Lady Bug and its revolving doors that reconfigure the maze in a similar manner.

To really score big points, though, you need to smash the three key blocks. This releases a shield, which you can collect to turn the unicorns into the EXTRA-spelling alpha monsters.

Tempting as it may be to camp by the shield and wait for the unicorns to get close before snagging it, it's usually better to get it as soon as possible. The longer you delay, the less time they'll be transformed (and the faster the survivors of your murder spree will be), so it's more effective to get it quickly and then hunt them down.

Take too long to clear a level, and you'll start having to deal with deadly blue unicorns, who ramp up their speed fast and can multiply. This happens very soon after the scene is down to its last unicorn, so always have a plan to kill the last two quickly.

GAB rating: Good. Mr. Do's Castle is a tough, fun, and often satisfying puzzle platformer that mostly fixes the Space Panic formula by completely revamping the gameplay. I mentioned earlier that the weaknesses of its inspiration aren't completely gone - there are no dropped inputs, but occasionally the game interprets them wrongly, especially taking "up" not to mean "climb up the ladder a few pixels to your left" but "walk off the ledge to your right," which is a frustrating way to lose a life. AI, though a far cry from the infuriating randomness of Space Panic, can sometimes behave inconsistently, throwing off your best laid plans, and collision detection can be maddeningly inconsistent, with even the attract mode demonstrating a method of crushing unicorns that rarely works in actual gameplay.

Compared to Mr. Do!, Mr. Do's Castle is slower and more methodical, which isn't necessarily a bad thing. But where Mr. Do's gameplay often led to crazy sequences of events unfolding to your benefit in unexpected ways, Mr. Do's Castle is more about planning moves out, and when something unexpected happens, it usually throws a wrench in your plans. Or less often, a desperate tactic that usually fails, like hitting a unicorn directly with your hammer, just happens to work when you had no other choice.

Mr. Do would return for two more games in 1984; Mr. Do's Wild Ride, and Do! Run Run, which in Universal's fashion played little like each other or prior games, but would never be seen again outside of a licensed Neo Geo remake in 1996. Universal would bow out of the video game industry in 1985 and continue their primary business of pachinko and slot machines, which still operates today.

Game 240: Beamrider

I don't spend a lot of time looking at underserved consoles on Data Driven Gamer. It's in the nature of the project; whale status is based on a rough barometer of a game's enduring popularity, and when a game is made exclusively for an also-ran system, that immediately limits how popular it could ever be to begin with. When a game was made multiplatform and not originally a coin-op conversion, third-party developers would most often use the most popular console as their master platform, which in this era was decisively the Atari 2600, having outsold all of the competition combined by more than 4:1. The most prolific third-party developer of the era, Activision, targeted the 2600 almost exclusively in their early years, sometimes porting their more successful titles to other, more advanced platforms in an upgraded form, but in nearly all cases the 2600 version was their first edition, and therefore the one that interests me.

Beamrider, though published by Activision, is an exception, being developed by independent David Rolfe rather than any of their employees. Rolfe's initial design was for Mattel's Intellivision, a system that he had been instrumental to with his early contributions.

 

Being released in 1979, just two years after the Atari VCS's debut and well before that console hit its stride, the Intellivision is clearly a graphical powerhouse in comparison, and even compares favorably in some ways to Atari's computer line that would form the basis of the next-generation 5200 and XEGS consoles. Colorful backgrounds like in Frog Bog just weren't done on the VCS, and sprites with multiple frames of animation were pretty rare.

But many have noted the Intellivision's shortcomings and how they likely contributed to its failure to make a dent in the VCS's dominance. The higher price tag, the more complex gameplay sensibilities, the bizarre controller with its telephone number pushbuttons and 16-direction "control disc" that must have been awkward to use and ensured children couldn't simply plug in and play their games without having to read instructions first, and Mattel's inability to effectively market the system.

Rolfe's rap sheet on Mobygames shows an interesting earliest credit - a vague role of "help" with Walter Bright's Empire in 1977! The year after, he is credited as the co-developer of Atari's Home Run, and this is also the year that he wrote Intellivision's Baseball, though it wasn't released until 1980. These two games, incidentally, were used in Mattel's most infamous ad, featuring that well-known Generation X icon George Plimpton. I did say Mattel's marketing strategy needed some work.

Scan by Flashbak

Baseball was, you could say, the system's killer app. Rolfe developed it in tandem with designing the Intellivision's firmware. The two projects informed each other, and in turn informed all other Intellivision games internally developed at Mattel, as the finalized system firmware dictated what abilities and functions were readily available to all other games made for the system.

Other projects of his include the Intellivision's pack-in title Las Vegas Poker & Blackjack, two arcade games for Exidy, a port of Frog Bog to the Atari VCS, and finally, Beamrider.

 

Beamrider looks an awful lot like Nintendo's old Radar Scope, but doesn't play that much like it. Your ship, rather than freely moving side-to-side, "jumps" across an array of five beams, and must switch frequently to target enemies and evade their fire. Each wave's goal is to shoot down 15 saucers, who zip around the screen in increasingly complex patterns and fire projectiles down the beams, but every two levels introduce a new enemy type, many of them invulnerable to your laser fire. Level 2, for instance, introduces asteroids which dumbly hurtle down the beams and can only be destroyed with your finite supply of torpedoes, and level 10 introduces blue ships that if not shot before landing, will stick around on the bottom of the screen for a few second, depriving you of maneuvering space.

Each sector concludes with a boss fight of sorts - a sentinel ship moves across the top of the screen, and can only be hit with a torpedo. You only get three per sector, and you'll want to save as many as you can for the sentinel. At first this is just a matter of timing, but before long, these sentinels become accompanied by lots of backup. Then, you have to be smart about where to fire the torpedoes and when. Learning to manipulate the various enemies so that, in moving to attack you, they open up a clear shot to the boss, is a must, but sometimes you'll still have to torpedo one or two of them to get them out of the way. You don't have to kill the sentinel to pass the sector, but this is the only way to score big points. Interestingly, the more lives you have, the bigger the payout.

Speaking of which, Beamrider is pretty generous with lives, almost as generous as it is eager to take them away from you, but it doesn't just hand them to you. Bonus lives come hurtling down the beams as yellow ships to collect, and you've got to not only maneuver to the right beams to pick them up without getting blasted into space dust by all the chaos going on, but also not let your trigger finger twitch and blow the life away, turning it into deadly radioactive dust.

I made it to sector 17 on my best playthrough, coming up just short of 40,000 points.

GAB rating: Good. I didn't love Beamrider at first. On first glance it just seemed simplistic, repetitive, and twitchy. But the more I played it and the further I got, the more I started to appreciate its deceptive depth. Doing well means recognizing and anticipating enemy patterns, thinking in split-seconds, even planning multiple moves ahead of time. There is a lot of randomness in the chaos that Beamrider throws at you, and dumb luck often makes the difference between facing an easy situation and an impossible one - I often found myself shouting "bullshit" at the screen when a bunch of bogeys fired an undodgeable battery at me nanoseconds after I moved into a corner in order to hit a target of opportunity - but the generosity of bonus lives balances things out. It's kind of like a Williams game in that regard. My only criticisms here are that movement controls can sometimes be unresponsive (especially when trying to move by tapping a direction immediately after blowing up a target), and that once you know what you're doing, the game doesn't get difficult, or interesting, until about eight sectors in, which takes too long for an arcade action game.