Game 38: DND-1

Play DND-1 here (I prefer the Plain Version):
http://slashie.net/dnd1/

It’s been long well documented that Ultima’s predecessor, Akalabeth, was also known as DND28, being a young Richard Garriott’s 28th effort at making a D&D inspired computer game. But before 2014, information on his first 27 was nonexistent, and indications anyone cared were scarce.

In 2014, Portalarium released scans of source code printed by Garriott in 1979, designated “DND-1,” and offered a community contest to port it to a web browser format or Unity, suitable for inclusion as an easter egg in their then in-development game Shroud of the Avatar.

The contest winners were announced, but the links to the winning entries seem to be dead now. I could only find Santiago Zapata’s entry, which can be played with or without a simulated teletype interface.

It’s a cute gimmick, but the slowness and tiny viewing area gets tiresome pretty fast.

As one might expect, this game is REALLY unpolished, buggy, and just doesn’t feel finished, especially compared to the older PLATO games. This isn’t exactly a fair comparison; those games were made on a multi-million dollar supercomputer system by doctoral students, and were intended for general consumption by university students within the network. DND-1 was the work of a high school D&D geek tooling around on his school’s PDP-11, and wasn’t even played by his own classmates. We also don’t know for sure how pedit5 and dnd played back in the day, as they have been recreated and maintained over the years, and the full extent of changes made aren’t documented.

I’m also not certain how accurate Zapata’s port is. It’s clearly intended to preserve the original’s functionality, infested with uncorrected typos and deliberate interface weirdness, but without any reference guide except source code from BASIC of an unspecific dialect, how could you know for sure what the “correct” behavior of the program is? Any given bug could be authentic to the original, or could be a consequence of misunderstanding the BASIC logic.

Zapata offers a reference card, without which you’re likely to get frustrated and quit before even starting the game.

True to the teletype experience, there is no backspacing. In fact, the backspace key causes my browser to go back one page, kicking me out of the game and causing great annoyance.

When asked if you need instructions, type “no” or you get kicked out of the game.

The prompt for an old or new game will actually load a saved game file if you have saved earlier.

The DUNGEON # prompt is interesting. From looking at the source code, there are six dungeon maps, each stored in a separate file. Unfortunately, these files are not in the source code and have likely been long lost, so the dungeon layout is not Garriott’s original. However, this prompt doesn’t seem to care if you enter numbers higher than 6, and the source code doesn’t seem to do anything special here either, so I’m really not sure what this prompt actually does.

I am not sure what “CONTINUES RESET” does, but the reference card seems to be saying that if you enable it, the game resets when you kill all of the monsters in the dungeon. That’s my best guess anyway.

PLAYERS NME must be “shavs” or else you immediately get kicked out of the game. I’m guessing that Garriott intended to manually authorize multiple players and create a separate save file for each, but never got around to implementing this beyond the initial “shavs” account.

Stats are your basic six from D&D. Interesting that Charisma is there but always rolls zero – an unfinished feature, maybe?

I’m a fighter, because I have no idea how anything in this game works.

Buying weapons “fast” just skips the menu from loading.

I bought a 2H sword, “TLTE” mail, a rope, ten spikes, a bow, and lots of arrows. I never figured out what oil, crosses, or food do.

Don’t forget to equip a weapon!

Looking around, I get a map of my surroundings:

The 6’s represent treasure, so I go for the ones to my right:

Poisoned for two hits, but with treasure. To get my bearings again:

That ‘5’ on top is an enemy, so I attack! The bow doesn’t care that there’s a wall between us.

And here we have a bug. I attacked twice – why did my weapon suddenly switch to arrows? I tried switching my weapon back to the bow:

I don’t understand. Switching back to the bow yet again:

So somehow I don’t have a bow any more. I do have my 2H sword, so I switch to that.
Closing the gap, I cut him down to size:

Moving on, I fall into a trap, but my rope and spikes save me.

And then like an idiot I walk right back into the trap and die.

Wait, no spikes? I bought ten of them!
 
Aaaand that’s all the patience I have for this.

It’s pretty easy to see that this is another early, amateurish effort at replicating Dungeons & Dragons by a young computer nerd who had probably never played a CRPG before, and exists entirely outside the influence of the PLATO games. The same thing can be said of its successor Akalabeth, though, so I’m not sure that seeing this helps my goal of understanding the lineage to Akalabeth and Ultima any better.

The most obvious and most interesting tie to Akalabeth and Ultima is the option to purchase HP for gold. In the dnd-like games, gold either transformed into XP upon leaving the dungeon, or in dnd’s case earned you more HP and SP as you accumulated more of it. But only here is it an explicit option to purchase more HP for money, and this is a feature that would remain with the Ultima series well into the Apple II era.

More mundanely, gold can be used to purchase weapons and equipment. I’m sure Garriott didn’t invent that concept, and that this was a normal D&D gameplay feature that he was simply copying, but apparently it wasn’t such an ubiquitous feature that everyone felt compelled to use it. None of the dnd-likes that I’ve looked at had any kind of equipment store.

Speaking of equipment stores, the one in DND-1 is far more extensive than the one in Akalabeth, offering several types of weapons, armor, and equipment. Food, which I could discover no purpose for in DND-1, will return in Akalabeth and all Ultima games, and is absolutely essential to survival in the early titles. Ropes and spikes return in Ultima, where they serve a similar purpose of letting you escape pit traps (only much less bugged), and return again in the Ultima I remake but seem to serve no purpose there.

It’s just a pity that even with allowances for a clumsy interface and a buffet of spelling errors, this game is basically unplayable. There have been plenty of bugs that I haven’t documented in this post. There was a time that it immediately output “ALL MONSTERS DEAD RESET” before I had a chance to do anything at all.  I have no clue if armor does anything or not, though you can equip it the same way you’d equip a weapon, and I don’t know what that actually does. And there were multiple times when I'd encounter a monster, only for it to attack immediately, relentlessly, and repeatedly, without giving me any chance to react, and it absolutely would not stop until I was dead.

I don’t know whether or not to fault Garriott here for DND-1’s strange behavior. Again, the BASIC source code is the only record that we have, and even the source code itself is printed incorrectly in places, which was common with 70’s teletypes and their noisy lines. Zapata strove for accuracy, preserving the original program behavior with all of its typos and bugs, but without having access to the BASIC runtime used by the computer at Garriott’s high school, it’s impossible to know for sure how the code would have behaved for real. The source code at best can reliably show us how Garriott intended for the game to work, but things that appear to be bugs may in fact behave differently on the real thing due to minute differences in how that particular interpreter worked. If the bugs are in fact “Garriott originals,” it may be impossible to confirm this through the source code alone.

And this still leaves a giant unexplained gap in between DND-1 and Akalabeth. Portalarium claims that DND-1 was gradually refined over the years from 1975-1977 and its “final version” printed out in 1979, the same year that Garriott wrote Akalabeth. What were the 26 games in between like? Were they just iterations on DND-1 that gradually morphed into Akalabeth, or were they distinctly different games? If the former, then why is this apparently improved DND-1 not called DND-2 (or a higher number)? If the latter, did he maintain and refine DND-1 while also developing its sequels, and did the sequels get a similar treatment? Furthermore, if he kept refining DND-1 over the years, why is it clearly so unfinished? And how can Portalarium know this? The story doesn’t really add up and leaves me unsatisfied, and I expect things will stay that way.

Game 37: Mission Impossible

Get Mission Impossible for TRS-80 in “cmd” format here:
http://www.trs-80.com/wordpress/archive-search/

See my notes on TRS-80 emulation here:
http://datadrivengamer.blogspot.com/2018/11/adventureland-introduction-to-trs-80.html

Our first game of 1979 is also our final one by Adventure International.

Unlike the two games before it, I could find no information to confirm that this was originally a BASIC game. Ira Goldklang’s TRS-80 software database has an entry for “Mission Impossible” in BASIC, but the author is unknown, and there is no downloadable file, so I don’t know whether or not it is the same as Scott Adams’ adventure. Mobygames lists its first release as May 1979, which is around the time that Adventureland and Pirate Adventure were re-released by TSE in assembly format, so perhaps Mission Impossible was developed in assembly to begin with.

The package blurb states:
Time is of the essence as you race the clock to complete your mission - if you fail, the world's first automated nuclear reactor is doomed. So, tread lightly and don't forget your bomb detector! If you survive this challenging mission, consider yourself a true Adventurer.

Looks like I started the game a minute too late! But what am I carrying?

Yikes! Let’s play that tape recorder.

Geez, talk about tempting CBS’s lawyers. I’m surprised the tape doesn’t self-conflagrate too.

The keys and map aren’t there. The guy who ran off must have swiped them. Why does the nuclear power plant have a briefing room?

I went exploring. The first several rooms are a bit maze-like, with grey and blue corridors with many different exits. Occasionally I bump into “someone,” who runs away before I’m allowed to react.

Southward is a grey room with a chair facing a mysterious box with colored buttons. Messing around proves to be a bad idea.

Exploring around more, I found the saboteur, and the stuff he swiped.

The leaflet is yet another plug.

I tried showing the picture to the camera for authorization, but being a window maintenance guy isn’t good enough here. It said “INADEQUATE AUTHORIZATION.”

Going back to the buttons, pressing red and then white caused the box in the room to print out a visitor’s pass with my picture on it. This got me access to a room with a locked window. So I tried typing “BREAK WIND” (why not?) and was asked what item I should use. The two heaviest items I’d seen were the tape recorder and the dead saboteur, and using the saboteur seemed a bit morbid, so I tried the tape recorder first. It worked, but the camera in the room activated and my bomb detector started going nuts. I tried showing the camera the saboteur’s window maintenance ID, but it complained that I didn’t look like the guy in the picture. So I dragged the saboteur’s body into the room, and the camera shut off and all was well.

Through the window I found a yellow key, which unlocked a button in the panel in the photo room, which printed me a shiny new maintenance ID with my picture, and got me access to a few rooms past a yellow corridor. Here, I got stuck. The rooms here contain a wire cutter, mop, and empty film projector, and I couldn’t find a use for any of them. So I went to a walkthrough, which said you need to FRISK MOP to get a blue key.

The blue key unlocks another button in the photo room, which gets me a security ID, and access past a blue hallway. I got stuck here again; the rooms past here contain a radiation suit, a vat of heavy water, a window that I couldn’t seem to break (I tried throwing the saboteur through, and that didn’t work), and a locked metal door. The walkthrough says you need to kick the door.

Past the door are a control room with a bunch of gadgets, a film cartridge standing out most among them, and a break room. Heading down from the control room, I reached the reactor core, and found the bomb!

Clearly, I should have taken the radiation suit.

Restarting, I retraced my steps pretty quickly, made it back to the control room, and this time I took the film cartridge. I brought it to the maintenance area which had a film projector, and then played it from the visitor’s area.

That’s some oddly specific information.

So I returned to the security area, with wire cutters and a plastic pail from the maintenance rooms, and retrieved the radiation suit and some heavy water from the storage room. Going down to the reactor core, both of the film’s warnings manifested.

Whoops, guess I was supposed to WEAR the suit! In previous games, just holding clothing in your inventory counted as wearing it, but not any more.

Restarting yet again, and retracing my steps even faster, this time I dropped the pail of water in the control room and wore the suit before heading to the reactor. I cut the wire, brought the bomb back upstairs, and poured water over the bomb.

In retrospect, the “no beverages” sign was a clue that I wasn't supposed to do that. Time for a slight plan adjustment. This time, I dropped the bomb in the break room instead of the control room.

Victory! Frankly, the failures were more entertaining.

So, that’s the last Scott Adams adventure that I plan to play, and it was the least interesting of the three that I did play. There are some positives; there’s a decent sense of setting with a mostly logical layout (except for the briefing room inside the power plant), there’s some modestly clever signposting, and even some implicit storytelling through the items and locations. But the game map is tiny, even by Adams’ standards, with a single hub area and three minuscule sub-sections blocked off by security cards. The sequence for solving the game is totally linear, which mean the game grinds to a halt the moment you encounter an obtuse puzzle and can’t deduce the solution or solve by trial and error.

It’s also not a particularly great adaptation of the show. The IMF worked as a team, carefully orchestrating a complex web of deceptions for their targets. Here, you’re alone, you have no particular abilities except for a bomb detector surgically implanted in your body, and all you really need to do is find keys that the saboteur hid, bypass an inexplicably insecure security system without activating his triggers, and then disarm the bomb, which the saboteur put in plain sight in the reactor core.

The Scott Adams adventure series continued into the 80’s, with four more produced before the end of 1979, and another four produced in 1980-1981, still using the same engine. Later titles were produced with an upgraded engine that supported graphics, and six of the twelve original adventures were graphically remade. But I’m unconvinced that they served much purpose, even in their day, except to tide over adventure fans who owned entry-level computers. Adventure International’s final games were produced under an envy-worthy license deal with Marvel Comics that afforded Adams an amount of creative freedom that would be unthinkable today, but disappointing sales killed the studio. Adams retired from the games industry, quietly breaking hiatus twice since by releasing new text adventures in 2000 and 2013.

My final map: