Ports of Entry: MicroProse

Unknown lead platform:

 

Crusade in Europe

First released for Atari 8-bit and Commodore 64 in 1985

Ported to Apple II in 1985 by Jim Synoski

Ported to PC in 1986 by Edward N. Hill Jr.

James Hauge's list says that the Apple II version was ported from the Atari codebase, while the PC version was ported from C64.

 

Decision in the Desert

Released for Atari 8-bit in September 1985

Released for Commodore 64 in 1985

Ported to Apple II in 1985 by Jim Synoski

Ported to PC in June 1986 by R. Donald Awalt

 

Hauge's list once again says that the Apple II version was ported from the Atari codebase.

 

Conflict in Vietnam

Ported to Apple II in April 1986 by Jim Synoski, earliest release

Released for Commodore 64 in May 1986

Released for Atari 8-bit in June 1986

Ported to PC in September 1986 by Edward N. Hill Jr. and Randall Don Masteller

Hauge's list here says that the PC version was ported from the C64 codebase.

 

Gunship

First released for Commodore 64 in October 1986

Released for Atari ST and Commodore 128 in 1986

Released for DOS in September 1987

Released for Amstrad CPC and ZX Spectrum in 1987

 

Stunt Car Racer

Released for Amiga, Atari ST, and Commodore 64 in 1989

Ported to DOS & ZX Spectrum in 1989

Ported to Amstrad CPC in 1990 by Pete Cooke

 

Formula 1 Grand Prix

Released for Amiga and Atari ST in December 1991

Released for DOS in October 1992

 

Master of Orion II: Battle at Antares

Simultaneous DOS/Windows release on 11/22/1996

Ported to Macintosh on September 1997

Select chronology: 

 

Atari 8-bit era:

 

Title	Date	Contemporary ports
Floyd of the Jungle	1982
Hellcat Ace	1982	1983 port to C64
Spitfire Ace	1982
NATO Commander	1983-11	1984 ports to Apple II & C64
Solo Flight	1983	1984 port to Apple II
F-15 Strike Eagle	1984	1985 ports to various computers

 

Commodore 64 era:

 

Title	Lead Platform	Date	Contemporary ports
Crusade in Europe	???	1985	Same-year releases on Atari 8-bit & C64 Same-year port to Apple II 1986 port to PC
Decision in the Desert	???	1985-9	Same-year releases on Atari 8-bit & C64 Same-year port to Apple II 1986 port to PC
Silent Service	Commodore 64	1985-10	Same-year ports to Apple II, Atari 8-bit, & PC 1986 ports to Amstrad CPC, Atari ST, & ZX Spectrum
Acrojet	Commodore 64	1985
Kennedy Approach	Commodore 64	1985	Same-year port to Atari 8-bit
Conflict in Vietnam	???	1986-4	Same-year releases on Atari 8-bit & C64 Same-year ports to Apple II & PC
Gunship	???	1986-10	Same-year releases on Atari ST, C64, & C128 1987 releases for Amstrad CPC, DOS, and ZX Spectrum
Sid Meier's Pirates!	Commodore 64	1987-6	Same-year ports to Amstrad CPC & PC 1988 ports to Apple II, Apple Iigs, & Macintosh
Airborne Ranger	Commodore 64	1987-12	1988 ports to Amstrad CPC, DOS, & ZX Spectrum
Project Stealth Fighter	Commodore 64	1987-12
F-19 Stealth Fighter	DOS	1988-9
Red Storm Rising	Commodore 64	1988-10	1989 ports to Atari ST & DOS
MicroProse Soccer	Commodore 64	1988	Same-year port to Amstrad CPC by Smart Egg Software 1989 ports to Amiga, Atari ST, DOS, & ZX Spectrum
Stunt Car Racer	???	1989	Same-year releases on Amiga, Atari ST, & C64 Same-year ports to DOS & ZX Spectrum 1990 port to Amstrad CPC

 

DOS era:

 

Title	Lead Platform	Date	Contemporary ports
F-15 Strike Eagle II	DOS	1989-8	1990 port to PC-98
M1 Tank Platoon	DOS	1989-10	1990 port to Amiga & Atari ST
Sword of the Samurai	DOS	11/3/1989
Knights of the Sky	DOS	1990	1991 ports to Amiga & Atari ST
Silent Service II	DOS	1990	1991 ports to Amiga & Atari ST
Sid Meier's Covert Action	DOS	1990	1991 port to Amiga
Sid Meier's Railroad Tycoon	DOS	1990	1991 ports to various 16-bit computers
F-117A Nighthawk Stealth Fighter 2.0	DOS	1991
Gunship 2000	DOS	12/5/1991
Formula 1 Grand Prix	???	1991-12	Same-year releases on Amiga & Atari ST 1992 release on DOS
Sid Meier's Civilization	DOS	1991-12	1992 ports to Amiga & PC-98
B-17 Flying Fortress	DOS	1992	1993 ports to Amiga & Atari ST
Rex Nebular and the Cosmic Gender Bender	DOS	1992	1993 port to Macintosh
Darklands	DOS	1992
The Legacy: Realm of Terror	DOS	1992
Master of Orion	DOS	1993-9
Return of the Phantom	DOS	1993
BloodNet	DOS	1993	1994 port to Amiga by Teeny Weeny Games
Pirates! Gold	DOS	1993	1994 ports to Windows 3.x & Macintosh
Pirates! Gold	Genesis	1993	1994 port to Amiga CD-32
Dragonsphere	DOS	1994
Sid Meier's Colonization	DOS	1994	1995 ports to Windows 3.x, Amiga, & Macintosh
X-COM: UFO Defense	DOS	1994	Same-year ports to Amiga and Amiga CD-32 by Climax Productions 1995 port to PlayStation
Master of Magic	DOS	1994
Transport Tycoon	DOS	1994
Grand Prix II	DOS	1995
Transport Tycoon Deluxe	DOS	1995	1996 port to Windows by Fish(UK)
X-COM: Terror from the Deep	DOS	1995	1996 port to PlayStation

 

Early Windows era:

 

Title	Lead Platform	Date	Contemporary ports
Sid Meier's CivNet	Windows 3.x	1995
Sid Meier's Civilization II	Windows 3.x	1996-3	1997 port to Macintosh
Master of Orion II: Battle at Antares	???	11/22/1996	Simultaneous DOS/Windows release 1997 port to Macintosh
Magic: The Gathering	Windows 95	3/6/1997
X-COM: Apocalypse	DOS	7/15/1997

 

Windows 9x era:

 

Title	Date	Contemporary ports
Civilization II: Multiplayer Gold Edition	1998	1999 port to Macintosh by Worker Bee Software
X-COM: Interceptor	6/15/1998
Mech Commander	6/24/1998
European Air War	11/5/1998
Falcon 4.0	1998-12	1999 port to Macintosh by Westlake Interactive
RollerCoaster Tycoon	3/12/1999
Star Trek: The Next Generation - Birth of the Federation	1999-5
MechWarrior 3	1999-5
Civilization II: Test of Time	7/28/1999
RollerCoaster Tycoon: Corkscrew Follies	11/15/1999
Risk II	3/17/2000	Same-year port to Macintosh
RollerCoaster Tycoon: Loopy Landscapes	9/22/2000
Grand Prix 3	7/28/2000
RollerCoaster Tycoon: Gold Edition	12/6/2000
X-COM: Enforcer	4/19/2001
Grand Prix 4	6/14/2002

Game 313: Beyond Castle Wolfenstein

Package for Mr. Hitler, C.O.D.

I played the original Castle Wolfenstein back in 2019, and found it to be an infuriatingly inconsistent mishmash of stealth and action gameplay, which occasionally offered excitement, but mostly just irritated me with its endless footlockers you had to open up so damned slowly and that deadly combination of unresponsive controls with unforgiving gameplay.

The sequel, Beyond Castle Wolfenstein, is mostly known for being a game where you blow up Adolf Hitler in his bunker, and not so much for its gameplay differences. So, is it just more of the same, or did Muse Software dream up some meaningful improvements in the three year interim?

I think it's both, to some extent.

I wound up playing the 4am crack version on MAME, as even though AppleWin's WOZ support has come a long way since 2019, the game froze on me during my first attempted playthrough using it.

Führerbunker guards get more exercise than their Schloß Wolfenstein counterparts do

So, firstly, the controls are as awkward as ever, where QWEADZXC are used for chunky eight-way movement and S to stand still. At least this time, when you bump into things, the screen goes crazy for only a brief fraction of a second and all you hear is a little ding, which is far less annoying than the original game's seizure-inducing noise patterns, but still raises the question of why this happens at all.

You can also, finally, manually holster your weapon with the 'H' key instead of having to deliberately walk right into the walls to achieve the same.

Unlike Castle Wolfenstein, where you could just shoot the Nazis with impunity, and were better off doing so until you located a uniform, here, shooting them is a bad move that will almost always alert the bunker and bring more heat your way, and if anyone sounds the alarm, then you might as well give up. The good news is that patrolling guards no longer shoot you on sight.

Kommen Sie, barks your Apple ][ with an uncanny clarity

Instead, they'll demand your pass, and you get two chances to show the correct one of up to five available before they arrest you. Bribes always work, so the best technique is to guess, and if wrong, offer a bribe, and the next time you encounter a guard, try a different pass. You'll guess right eventually, before the money runs out, and then you'll have free reign of the floor, able to simply show the correct pass whenever you are spotted.

Many rooms contain a locker or two, and a bomb, which you need to finish the game, is located in one of them. Others contain useful supplies, like money, passes, ammo, and keys. They may also, as before, contain useless things like Hitler's diary, coats, and paintings. Some are locked, but instead of passively waiting as long as four minutes to pick the lock, as you did in the first Wolfenstein, there's a sound-based minigame where you guess the three-digit combination and hear a faint 'click' when one of the digits is correct. It's still not exactly engaging, but compared to the system it replaced, it's a massive improvement. Guards will sometimes be alerted if they see you rifling through a locked cabinet, and this can sometimes mean genuine tension as you carefully watch over your own shoulder, worrying about getting caught by a patrolling guard while you try to guess the combination.

I soon found a dagger in an unlocked cabinet, which is far more useful than the gun. Stabbing is fiddly and risky - sometimes guards break their patrol patterns and instead of pulling off a perfect backstab you just lunge, dagger point out, right into their clutches and get immediately busted, and sometimes you fail because the keyboard controls weren't responsive. And you definitely don't want to even try this in a room with more than one guard unless they are quite isolated from each other. But a successful backstab kills instantly, alerts nobody with their scream, and is often the simplest way to ensure you can crack open a locker without being bothered. It also makes exploring the maze-like bunker much quicker when you don't have to show your pass in rooms you've already been in.

Getting caught isn't the end of the world either, as you can retry with the same bunker layout. You'll need to figure out the correct pass again, but the locations of items won't change.

Desk guards are one of the few times you might actually want to shoot, as they can't be stabbed, and they will sound an alarm if you search a locker in their line of sight. Just make sure you have the gun equipped and not the knife when you draw your weapon, and make sure you can leave the screen after shooting before reinforcements show up.

You can also bribe them to find out what the current floor's correct pass is, but if you've lived long enough to find a desk guard, you probably already know.

Once you locate the bomb, which according to the manual is always on the first floor, you need to find the elevator and descend to the next.

The timer is, incidentally, basically irrelevant, as you can reset it any time. You don't want anyone to see you doing that, but it shouldn't be too difficult to find a private alcove should it get too close for comfort.

Level 2 will have a different pass than level 1 did, but the same procedure applies for deducing it. If you found the dagger already then there's no need to search the lockers here either - all you need is the bomb and the dagger and perhaps some spare passes, which can be found easily enough on the corpses of backstabbed guards. Your goal here is mainly to find the elevator to level 3.

Guards can get in the way, but if you know which pass to use, you're perfectly safe.

Level 3 is significantly smaller and more linear than the first two. Once again, you'll need to learn the pass, and when you do, you can go anywhere as long as you don't do anything stupid like be seen with your gun or knife out.

Neither stealth nor bullets will get you through rooms like this.

 

Your goal here is literally Hitler.

Getting close! Hope you figured out which pass to use

The worst conference ever. You're basically doing the senior officers a favor.

Drop the package outside the door, reset the timer, and leave. Your maps and pass notes should be enough to get you back to the starting room on level 1 without any trouble and with plenty of time to spare, and the more guards you've stabbed along the way, the more spare time you'll have.

Try as you might, only one man can kill Hitler, but you'll have the chance to replay on a higher difficulty. I did, having attained the rank of "allied intelligence agent." The chief differences I noticed were that more of the cabinets were locked, and guards were more numerous, often patrolling rooms two at a time in areas where there would have been one or none, making it that much more difficult to open some of the locked cabinets without getting busted. There were no elite guards like the SS officers seen in Castle Wolfenstein's NG+ mode.

There was one big problem. This time, the bomb was nowhere to be found on level 1! Nor on 2, or even 3. I checked and double-checked every room, but just as the war plans eluded me on a subsequent playthrough of its predecessor, so did the bomb in a subsequent run of this game. I don't know if this is an emulation bug, or a consequence of an incorrectly dumped or cracked disk image, or if there's just something special you have to do in higher difficulty levels to find the bomb, but whatever the reason, my motivation to keep playing was, once again, kaputt.

GAB rating: Average. Beyond Castle Wolfenstein feels much like what I expected the first game to be - a somewhat simplistic predecessor to Metal Gear-style stealth. It mitigates many of its predecessors most serious problems, making it so much more playable, but by removing combat as a viable tactic, it's also less interesting.

Both games, though, suffer from the same fundamental problem, that no amount of polish could fix and elevate into "good" territory. The randomized level design (not to mention the unpredictable gameplay mechanics and sometimes unresponsive controls) just isn't conducive to stealthy, tactical gameplay. Sometimes you can sneak around Nazis on patrol, sometimes that just isn't possible, and to compensate, both games offer tools that can completely trivialize the task - uniforms in the first game, and passes in the second.

I mentioned near the start that bumping into walls is now 80% less annoying than in the first game, due to the much shorter period of visual disorientation. The problem is significantly lessened, but the fact that this is a problem at all still seems pretty strange. This is actually a pretty good summary of the sequel itself - many of the serious problems with Castle Wolfenstein are mitigated, but none of them are truly fixed.

There are also a number of strange, seemingly purposeless gameplay elements, which make me think Beyond Castle Wolfenstein shipped unfinished.

• Keys can be found in some cabinets, and take a weirdly long time to collect. The manual states they are used by pressing Ctrl+K (why not just a single keystroke from an otherwise unmapped key?), but this doesn't seem to do anything. They don't open locked cabinets, and unlike Castle Wolfenstein there are no locked doors.
• In one playthrough I found a secret passage in a cabinet, and a corresponding "secret passage upstairs" in another on level 2, but I found no way to use either of them.
• The manual states that desk guards, if bribed, offer you cryptic clues. In my experience, they either flat out tell you which pass to use on the current level, or they tell you a combination to some cabinet on the level without identifying which one. Either way, useless, but also not cryptic at all.
• The alarm reset switch is concealed in a cabinet somewhere in the bunker, typically under close guard, but if you tripped the alarm anywhere other than very same room as the reset switch, you'll probably be dead long before you get the chance to use it. Especially if you don't even know where it is yet.

 

Beyond Castle Wolfenstein did not have nearly as much commercial success as its predecessor, and Muse Software folded not long after its release, having produced only one more game, a preschool-oriented educational title, the following year. Founder Silas Warner would continue active work as a freelance developer, working with MicroProse on multiple Commodore 64 games throughout the rest of the 80's. His final game was Virgin's The Terminator for Sega CD. Though both Muse and Warner are long gone, the Castle Wolfenstein legacy lives on as a forerunner both to stealth action games and to shooters, having bequeathed its namesake to the latter genre's seminal title.