Adventure: Won!

Watering the plant a second time made it grow even more, at which point “CLIMB PLANT” from the bottom of the west pit led to a new corridor, leading to “giant room” with a nest of golden eggs and a sign saying “FEE FIE FOE FOO,” a room with a rusty door which opened after oiling it with oil from the east pit in the twopit room, and past that a cavern with a trident. Given that other rooms with signs had magic teleportation words XYZZY and PLUGH, I figured FEE FIE FOE FOO had to be another magic teleportation word. Turns out this teleports the golden eggs to the giant room, making it seem like a good idea to bribe the troll with these eggs, and teleport them back later.

The trident opens the giant clam, revealing a pearl which rolls down into the cul-de-sac, which prompts the program to acknowledge the clam was an oyster all along, and it apologizes for failing to recognize the right kind of pelecypod.

The barren room is a pretty simple puzzle; it’s just that some of the verbs involved are bizarre. Bringing food and keys to this room, I typed FEED BEAR to calm him down, then UNLOCK CHAIN to free him. TAKE BEAR to get him to follow you. Noting that the gold chain is valuable, TAKE CHAIN as well. When crossing the bridge back, the troll pops up to demand more payment. THROW BEAR and the bear chases the troll away. I did this without any outside help; it helps to think like a programmer and consider that memory space for vocabulary is limited, and that commonly used verbs should be reused whenever possible.

Exploring the dark passage past the plover room continued to bamboozle me, so this is where I turned to the Internet for help. Turns out “PLOVER” is another magic word, and teleports between the plover room and Y2. So with that I was able to teleport from Y2 to the plover room with my lantern, and from there explore the dark passage, leading to a single room with a platinum pyramid and a congratulatory plaque. Real clever, Don. Meanwhile I also checked a hint concerning the last lousy point, which you get by taking the magazines from the antechamber and dropping them in Witt’s End.

Now it came time to plan a way to solve the game. I had all of the pieces, I had a complete map with the locations of 15 treasures, and I knew how to retrieve them all. But I had to devise a plan to retrieve them all in one playthrough. Your lantern batteries do NOT last long, and you forfeit a perfect score by buying spare batteries, so I had to move fast and efficiently. Your inventory limit is seven items, and you don’t ever want to not be holding onto the lamp or axe, so that leaves five free spaces. The platinum pyramid can be retrieved pretty quickly by teleporting to Y2 and then to the plover room, but the emerald can’t be retrieved by teleporting. That leaves 14 treasures to retrieve, but the Ming vase must be dropped on the soft pillow or else it shatters, meaning we need to retrieve 15 items, which will take at least three trips.

So with trip 1, after retrieving the pyramid, I proceeded down to the caves normally, with the lantern, keys, bottle of water, and food. Picked up the rod, cage, and bird along the way, scared the snake and left the bird and cage at the HOTMK, and then went to the fissure to span the bridge so I could drop the rod. That leaves the lantern, keys, bottle of water, and food in my inventory, with three free spaces left. Soon enough the first dwarf threw his axe at me, which I took, leaving two spaces. I went to the lower levels, watered the plant twice, got the oil, and climbed the plant to the giant’s lair and took the eggs and trident. No spaces left.

I bribed the troll with the eggs, took the fork south to the barren room and fed the bear, freeing two spaces which I filled up by taking the gold chain and the rare spices in the north end of the fork. After using the bear to scare the troll away and returning to Bedquilt, I dropped the keys and the empty bottle, freeing two spaces again. Got and used the magazine to score the last lousy point, got the pearl, got the pillow. Inventory consists of a lantern, axe, trident, chain, spices, pearl, and pillow, and no space is left. I returned to the surface using PLUGH at Y2 to save some time, and dropped off all of the treasure and the pillow, making sure to EXTINGUISH LAMP before dropping the treasures to save the batteries. 10 treasures to go.

I went back to Bedquilt and to the Oriental room to get the vase, the emerald, and re-retrieve the golden eggs. Going back to the hall of mists, I retrieved the diamonds and gold nugget, and once again PLUGH’d my way back, dropped off the treasures, and PLUGH’d back into the darkness.

While gathering the last few treasures, all nearby, I ran into the pirate who stole them from me. No problem, I was going to rob him anyway. Into the maze, at the end of which was the pirate's stash, where I stole my treasures right back plus his chest. I returned to the building, and deposited everything.

And then… nothing. My score was 276, and I was pretty sure no treasures remained. I checked a walkthrough, and it turns out to go to the next and final section of the game, you need to go back into the cave and do nothing for a while. I did, retrieved my bottle and keys in the meantime, and after several turns of walking around in circles at Witt’s End…
A SEPULCHRAL VOICE REVERBERATING THROUGH THE CAVE SAYS, “CAVE CLOSING SOON. ALL ADVENTURERS EXIT IMMEDIATELY THROUGH MAIN OFFICE.”

A little while later…

Going southwest,

My inventory didn’t get teleported with me, so unlocking the grate didn’t work.

One last stupid little puzzle that I had to turn to the Internet to solve. There are rods in both corners of the room. Turns out the rods in the southwest corner are dynamite. Take one, run to the northeast corner, drop it, go back to the southwest corner, and BLAST.

I win! How are you remotely detonating the dynamite, though?

Alternate ending for blasting the southwest corner instead – I bet it would suck to guess wrong if you were playing this version without quicksaves, since real saves don’t work:

And a “special” ending for blasting while holding the dynamite (or just being in the same room as it):

I went in without much expectation. Adventure is famous for being influential – it created one of the major genres of computer games, after all. But I had never seen much critique on the quality of the game (unlike Zork, which is widely considered to be a good game), as if being the first of its kind puts it above criticism.

Woods’ Adventure is a complete game, for sure, and apart from the wacky endgame it doesn’t feel experimental. There’s purpose to every room, passage, and puzzle, even if sometimes the purpose seems misguided (such as the maze of twisty little passages all different), Even though most of the rooms are functionally empty, they contribute to the vastness of the cave, and they have interesting and unique descriptions. Most of the sequences of connected rooms eventually lead to something, either a treasure, or a shortcut to a hub area, or a dead end with an interesting description. The cave layout has a deliberate sense of progression to it, starting out linearly with claustrophobic descriptions, opening up slightly into branching rooms, halls, and mazes, and at the bottom levels becomes more fantastic. The relatively small number of puzzles means that after getting past the snake early on, almost the entire cave is accessible, with only a handful of rooms gated off by puzzles. Aside from being randomly killed by the dwarves, which didn’t happen that often, cheap deaths don’t really exist. You can die in stupid ways, but they’re always things you obviously shouldn’t do, like typing “JUMP” at precipices or wandering in the dark. I never got killed for messing around with the troll or the bear or even the dragon, which I’d certainly been conditioned to expect by Infocom and early Sierra games. The parser is bare-bones, as one might expect, accepting only one or two word commands, and only a handful of action verbs are ever used. But despite that, the things it recognized often surprised me. One of the most fun things about text adventures and parser-based graphic adventures is doing silly things with the parser to see if the developers thought of a response, and enjoying the cheeky replies whenever it turns out they did. Adventure didn’t have a lot of those, but I was pleasantly surprised that it recognized any commands other than what was needed to win the game.

But there are just so many things about the game that irritate and annoy. Mapping is absolutely required, and it’s made annoying by the fact that you can’t rely on room descriptions to tell you where the exits are. They’re accurate more than 90% of the time, but the handful of invisible passages meant I just skipped reading the room descriptions and obsessively typed N/E/S/W/NW/NE/SW/SE/U/D each time I got to a new room. The non-orthogonal passages further made mapping a tedious pain, and there’s just so many of them. The dwarves were a constant nuisance, and I can’t see what benefit their non-zero chance to randomly kill you brought to the game.

It’s been said that the early adventure games were treasure hunts with puzzles, in the tradition of Adventure. My playthrough bears this out, although none of the puzzles here were particularly inspired. Most were easy, a few trivial, and a few ridiculous. The bridge troll, who can be bribed with a treasure at the forfeiture of points or chased away with a wild animal, anticipates King’s Quest, where the exact same thing happens, and happens several more times with more figurative bridges and trolls. Figuring out that FEE FIE FOE FOO were magic words was the closest thing Adventure had to a clever puzzle, though it was pretty obvious what to do with them. If the plover room had had just some signposting to indicate “PLOVER” was also a magic word, it could have been a good puzzle, but instead it’s just unfair.

Lastly, I couldn’t find a points list anywhere on the Internet, so I made one:

Start game	27
Decline instructions	5
Enter hall of mists or Y2	25
Drop magazine in Witt's End	1
Find coins	2
Find diamonds	2
Find emerald	2
Find gold chain	2
Find gold nugget	2
Find golden eggs	2
Find jewelry	2
Find Ming vase	2
Find pearl	2
Find Persian rug	2
Find pyramid	2
Find silver	2
Find spices	2
Find trident	2
Drop coins in building	10
Drop diamonds in building	10
Drop jewelry in building	10
Drop silver in building	10
Drop chest in building	12
Drop chain in building	14
Drop eggs in building	14
Drop emerald in building	14
Drop pearl in building	14
Drop pyramid in building	14
Drop rug in building	14
Drop spices in building	14
Drop trident in building	14
Drop vase in building on pillow	14
Cave closing	25
Enter NE end of repository	10
Blast out	39

Final map of Woods' Adventure :

The farther adventures

From the HOTMK, it was just a short trip north and down to the unexplored dirty passage, and from there I went down to the complex junction. This was around the place where Crowther gave up and left behind a confusing mess of tunnels that lead nowhere. Rooms like Bedquilt and the Swiss cheese room are still there, and they still have those passages that randomly go off in different directions, but this zone merges with several new ones added by Woods, and tends to take on a fantasy theme.

East of Bedquilt is a “shell room” containing a giant clam that I couldn’t get open, and an anteroom with the “CAVE UNDER CONSTRUCTION” sign, placed by Witt Construction Company, and copies of “Spelunker Today” magazine lying around. The magazines are unreadable (“I’M AFRAID THE MAGAZINE IS WRITTEN IN DWARVISH.”). Past the anteroom is “Witt’s End,” a maze reminiscent of Zelda’s Lost Woods, where you could get lost forever, but if you keep moving in any direction other than west, you’ll eventually escape.

One of the passages north from Bedquilt led to a large low room with passages southeast and southwest. Southwest led to a chasm with a bridge guarded by a troll who demanded treasure in payment. I tried throwing the axe, he just caught it and said “GOOD WORKMANSHIP, BUT IT’S NOT VALUABLE ENOUGH.” He accepted silver in payment. Past the bridge was a fork with passages north and south. North led to a chamber with some rare spices, and a “breathtaking view” with an unusually detailed room description:



Someone should tell Kentucky they’ve got an active volcano! There didn’t seem to be much to do here. Attempting to descend produced “DON’T BE RIDICULOUS!”, so I left by the south and returned to the fork.

South from the fork led to a “barren room” cautioning me there’s a “BEAR IN ROOM!” The puns continue
>ATTACK
WITH WHAT? YOUR BARE HANDS? AGAINST *HIS* BEAR HANDS??
I couldn’t find anything else to do here, or find a way to proceed except to return past the bridge, and the troll demanded more payment to cross back. My spices sufficed.

Southeast led to an “oriental room” with a priceless Ming vase, and a passage leading through a misty cavern and to an alcove that I could only squeeze through by dropping my whole inventory. Past the alcove was a naturally lit “Plover room,” an emerald, and a passage further northeast which was too dark to explore.

Returning back through the alcove and collecting my stuff, the program warned me that the batteries were getting low. I explored southward, past the oriental room was a passage returning to the Swiss cheese room. A little while later and a few more rooms mapped, my lantern finally died, leaving me stranded.

Another restart, another venture into and past the complex junction, to the last of the unexplored paths. This time I stopped first at the maze of twisty little passages all different first to pick up a spare battery so that I’d have more time to map. First, though, I checked out that secret canyon from the HOTMK. Turns out it’s not a sequence breaking shortcut to the rooms beyond Bedquilt after all, but it leads to a dragon, and possibly the most famously silly puzzle in the entire game.

This series of secret canyons eventually led to a dead-end reservoir, but also contained two downward passages to the rooms beyond Bedquilt after all.

Past the shell room was a useless arched hall and cul-de-sac.

Going south from Bedquilt led to a “twopit room,” a large room with an east and west end, each with a descendible pit. The east pit had a small plant begging for water, which I provided, and it grew to be 12 feet tall and demanded more water. I know several rooms had water running through them, and there’s a stream outside of the cave, but for now I left it alone. The west pit has oil, which I was able to put in my bottle but found no use for. I tried oiling the plant to see what would happen; it worked, but other than annoying the plant nothing happened.

Going up from Bedquilt sometimes leads back to Bedquilt, sometimes back to the dirty passage, and sometimes to a new junction of secret canyons. These canyons lead north to another “window on pit” with yet another shadowy figure I can’t interact with, and south to a stalactite from which you could drop back into the maze of twisty little passages all alike if you wished.

Going south from the Swiss cheese room eventually led to a canyon leading east and west, with dead ends both ways.

I think mapping is mostly done now. The only unexplored location I know of is northeast of the plover room, which I can’t get to yet because it’s too dark.

Wood’s Adventure has quite a bit more interactive content than Crowthers’, but it’s still pretty sparse. After getting past the snake, which was Crowther’s final puzzle, almost the entire cave is accessible. Both mazes are ungated, and almost the entire lower level, where most of the new puzzles are located, is accessible without needing to solve any of its puzzles. The dragon past the HOTMK’s secret passage only blocks off three rooms with nothing in them but a redundant shortcut to the lower level, and the chasm troll blocks off a forked passage leading to a few interesting rooms but is easily passed as long as you have a treasure, which you almost certainly do.

Next session, I try to solve the outstanding puzzles of Wood’s adventure. Including:

• What do I do with the shadowy figures?
• Can I open the pirate’s treasure chest?
• Can I bypass the troll without paying him treasure?
• What do I do about the bear?
• How do I explore past the plover room?
• Can the plant be watered further?
• Is the oil useful?
• How do I open the clam?
• What’s the point of the magazines in the anteroom?
• Did I miss anything interesting in the rooms I’ve been to already?

My map so far: